Organizers: Professor Catherine Ramsey-Portolano, Professor Lucia Tralli, Professor Jenny Petrucci, and Professor Francesca Conti
SCHEDULE FOR THE DAY
9:30: Welcome Breakfast
AUR GARDEN (Student Lounge in case of rain)
10:00-11:15: Panel 1: Cinema and Media -Chair: Jenny Petrucci
AURIANA AUDITORIUM
- Catherine Ramsey-Portolano, Showcasing Neurosis in Italian Cinema of the Economic Boom: A Gendered Perspective
- Andrea Bini, Men on the Verge of a Nervous Breakdown: Comedy Italian-style and the psychopathology of the Italian male
- Lucia Tralli, “Yes, I truly dress like this.” Fashion, Body Positivity, and Authenticity in Micro-Celebrities’ Affective Practices online
11:30-13:00: Panel 2 - Students’ Perspectives -Chair: Francesca Conti
AURIANA AUDITORIUM
- Ana Signoretti Franco, The Velina Figure in Italy: The over sexualization of women in the media
- Lee Lanzillotta, “Per urbem enim irrideor”: Misogyny, Power, and the Epistolary Commerce Between Isotta Nogarola and Guarino Veronese”
- Alua Kargabayeva, Gender Apartheid: The Systematic Oppression of Women under Taliban Rule
13:00-14:00: Lunch
AUR GARDEN (Student Lounge in case of rain)
14:00-15:30: Panel 3 - Multidisciplinary Perspectives -Chair: Lucia Tralli
AURIANA AUDITORIUM
- Vassilissa Carangio, An Anticolonial and Gendered Analysis of Managerial Practices: A Case Study of the So-Called Australia
- Jenny Petrucci, “A non-single story”: the postcolonial narratives of Igiaba Scego and Ribka Sibhatu
- Elena Grillo, Linguistic analysis of gender stereotypes in classic fairy tales
- Francesca Conti, Gender, secrecy and innovation in Italian faith, folk healing and Segnature
15:45-17:15: Lecture and theatrical readings: Staging Violence against Women and Girls In Italy and Beyond
AURIANA AUDITORIUM
- Introduction: Catherine Ramsey-Portolano
- Presented by Luciana D’Arcangeli, Duncan Rosso Vecchiarelli, India Rose
17:30-19:00: Aperitivo for all participants
AUR GARDEN (Student Lounge in case of rain)
AbstractsandSpeakerBionotes
10:00-11:15 - Cinemaandmedia Chair: JennyPetrucci
CatherineRamsey-Portolano,ShowcasingNeurosisinItalianCinemaoftheEconomic Boom: A Gendered Perspective
ThispresentationwillexploretheportrayalofneurosisinItaliancinemaduringtheyearsof Italy’s economic boom.Approaching neurosis as a cultural rather than medical concept, I analyzeits roleinMichelangelo Antonioni’sIldeserto rosso[TheRed Desert1964] and Elio Petri’sIndagine su un cittadino al di sopra di ogni sospetto[Investigation of a citizen above suspicion 1969] andLa classe operaia va in paradiso[The working class goes to heaven 1971].Theemotionalandpsychological turmoilofcharacterssufferingfromneurosisreflects their reaction to changes affecting Italian society of the time. As members of a community organized by unhealthy living conditions, objectives and values, neurotic characters embody the malaise of a sick society, but they also become spokespeople for others subject to the same conditions.I consider the differing factors that influence a gendered portrayal of neurosis inItaliancinemaofthoseyears,adoptinga comparative analysis offemale andmale neurosis to demonstrate that it served to work against predominant gender models for Italian womenandmenof thetimeandproposedreevaluationsoftraditionalformsoffemininityand masculinity.Narrating the neurotic functions in these films to transform narratives of normalcy,portraying neurosis as a source of agency and knowledge rather than individual or social liability.Catherine Ramsey-Portolanois Associate Professor and Director of the Italian Studies and ModernLanguagesProgramatTheAmericanUniversityofRome,wheresheteachescourses on Italian literature, culture, film and language. She holds degrees from University ofChicago (PhD in Italian Literature); University of Wisconsin, Madison (MA in Italian Literature); L’Università LUMSA (Laurea in Lettere,110/110 con lode) and University of Tennessee, Knoxville (BA in Italian Literature). Her fields of research are gender studies, nineteenth- and twentieth-century Italian literature and Italian cinema, with special focus on women writers and the portrayal of women in literature and film. In addition to numerous peer-reviewed articles and essays in the above fields, her books includeFemale Cultural Production in Modern Italy: Literature, Art and Intellectual History,edited with Sharon Hecker (Palgrave Macmillan, 2023);Nineteenth-Century Italian Women Writers and the Woman Question: The Case of Neera(Routledge, 2020);Performing Bodies: Female Illness inItalianLiteratureandCinema1860-1920(FairleighDickinsonUniversityPress,2017);The Future of Italian Teaching: Media, New Technologies and Multi-Disciplinary Perspectives(Cambridge Scholars Publishing, 2015) andThe ItalianistSpecial IssueRethinkingNeera, edited with Katharine Mitchell (2010).
AndreaBini,MenontheVergeofaNervousBreakdown:ComedyItalian-styleandthe psychopathology of the Italian male
The Italian mononuclear family became definitively established only around the 1960s- 1970s. This achievement was due to the economic boom and the dominance of this family model in the television programs, including commercials and tv series . On the other hand, it wasthecinema,andespeciallytheso-calledCommediaall’italiana, thatdepictedthecrisisof the Italian male in the postwar period, his difficulty in experiencing the decline of the patriarchal and fascist values within which he had grown up. In my presentation I will focus mainly on the popular actor-comedian Alberto Sordi, the actor who between the 1950s and the 1970s best represented this male crisis, which is also a pathological inability to relate to the female gender and to be a parent in a post-oedipal society.Andrea Biniwas born in Rome, where he studied Italian literature and Philosophy at the University“LaSapienza”.HeearnedanMAin Film andMediaStudiesatUTAustinand a Ph.D in Italian Studies at UCLA. He has published three books:Kant e Carabellese(Luiss University Press, 2006),Male Anxiety and Psychopathology in Film. Comedy Italian Style(PalgraveMacmillan,2015),andhisrecent monographyonSpielbergmovieJaws-LoSqualo(Rubbettino, 2024) He has also published several articles on Italian cinema, literature, and culture, includingtwochaptersinthebookPopularItalianCinema:CultureandPoliticsina Postwar Society, edited by Flavia Brizio-Skov (Tauris, 2011).He is adjunct professor at 鶹 University of Rome and Temple University-Rome.
LuciaTralli,“Yes,Itrulydresslikethis.”Fashion,BodyPositivity,andAuthenticityin Micro-Celebrities’ Affective Practices online
ThispaperexplorestwocasestudiesofItalianmicro-celebritieswhoengagewithbody positivitythroughtheirpresenceonInstagram.Specifically,it explorestheaccountsof influencer and content creator Muriel (@murielxo) and web personality Denise d’Angelilli (@dueditanelcuore)asexamplesofyoungfemalemicro-celebritiesaddressingissuessuchas beauty standards, harmful stereotypes against non-conforming bodies, and female empowerment. Both figures leverage personal stories and visual representation to confront societal norms and share intimate reflections on their experiences.Iplacetheirengagementwithbodypositivitywithinthebroaderframeworkofaffectivelabor and the digital performance of authenticity. Although body positivity has been adopted by various groups, it often contends with conflicting narratives: on one side, challenging fat stigma and exposing the various forms of discrimination encountered by non-conforming bodies; on the other, intertwining with ideas of empowerment, social liberation, commercial exploitation, and the neoliberal co-optation of inclusivity. Additionally, this contribution explores how both creators employ fashion—through their stylechoicesandfashion-relatedpractices—asatoolofself-expression,furthershapingtheir narratives of authenticity and body positivity.
Lucia Tralliis a gender and media studies scholar. Her primary research focuses are grassrootsmediapractices,fandomcultures,popularculture,bisexualrepresentation,and intersectionality in the media. She has published papers and chapters on fandom, media, and genderinseveralinternational academicjournalsandbooks,andherbookonfanvidding asa gendered practice, Vidding Grrls, was published in 2021 by Meltemi. She is an Adjunct Professor at AUR - 鶹 University of Rome, where she teaches, amongst other courses, Media and Gender and Introduction to Visual Culture. She also teaches Gender Studies at Polimoda - International Institute of Fashion Design and Marketing in Florence. She has collaborated for over fifteen years with Home Movies - the Italian Amateur Film ArchiveinBologna,curatingandorganizing culturalprojectsandfestivaleventsonarchival film heritage. Since 2020, she has been a documentary programmer for Some Prefer Cake – International Lesbian Film Festival in Bologna and a member of the International Bisexual Research Group’s Leading Team.
11:30-13:00 Students’Perspectives Chair:FrancescaConti
AnaSignorettiFranco,TheVelinaFigureinItaly: Theoversexualizationofwomenin the media
Formypresentation,IintendtoanalyzethecharacteristicsoftheVelinaCultureinItalian films from the etymology of the word to the history of the Velina in Italian culture concluding with the contemporary representation of the figure. Thepresentationwillbedividedin3mainpoints:Origen
Evolution
ConsequencesFurthermore,Iwishtoshowexamplesfromthewell-knownmediathatportrait thefigures and support my argument as well as a post-feminism perspective on the issue. Additionally,Iwillbegiving myownperspectivesonhowthisreflectsItaliancultureand stereotypes and affects women in Italy and globally by perpetrating the Velina figure.
AnaSignorettiFrancoisajuniorstudent attheAmericanUniversityofRomeseekinga bachelor’s in film studies and a minor in Italian language and culture studies.
LeeLanzillotta,Perurbemenimirrideor:Misogyny,Power,andtheEpistolary Commerce Between Isotta Nogarola and Guarino Veronese
IsottaNogarola(1418-1466) isperhapsbestknownforherproto-feministdialogueindefense of the biblical Eve. However, like all humanists, she was also a prolific writer of letters. Her work has gained increased attention since the 1970s due to her place in history as one of the few women to assert herself as a scholar and thinker in the mostly-male world of Italian Renaissance Humanism. Yet her intellect was not enough to gain her a place at the table, so to speak. She had to fight to be heard. Her epistolary exchange with Guarino Veronese is particularly indicative of the tenuous position of a woman who dared assert herself in such a male-dominated sphere, as wellasthesocialrisksofbeingrejected.In thisperiod,writinglettersto learnedmenwasone way to embark on a humanist career. Many epistles were written not only as means of communicationbetweencolleagues,but alsowiththeeventualgoalofpublication. Writingto Veronesewasaboldact andhisinitiallackofresponseputNogarolain asociallyhumiliating position. Her anger and disapointment at being ignored, clearly expressed in her subsequent letter, to which Veronese finally responded, is understandable. I propose that Nogarola’s strongreactiontoVeronese’ssilencedemonstratesjusthowfragilethepositionof thelearned Renaissance woman was - and what was at risk if she failed to gain the approval of malehumanists.LeeLanzillotta(he/him)isastudentofArchaeologyandClassics,witha minorin Latin.His research has been published in the Journal of Classics Teaching and he will present this summer at the 2025 Classical Association Conference at the University of St. Andrews.
AluaKargabayeva,GenderApartheid:TheSystematicOppressionofWomenunder Taliban Rule
This presentation is aimed to address the daily struggles of Afghani women, who have been systematically oppressed by the Taliban rule using the international law and human rights perspective. What happens today to women in Afghanistan is called gender apartheid, which means social, sexual, and economic discrimination based on one’s gender. Gender apartheid, as racial apartheid, must be recognized and addressed as a violation of human rights, however, gender apartheid receives less attention and often has been dismissed. The case of Afghani women demonstrates the worst crisis in women’s rights and has global implications on gender inequality anywhere else. The issue is covered with stereotypes and cultural relativistjustification which mustbe criticized. Internationalpolitics’ mainstreamleaders and diplomatsoftenignorethecrueldiscrimination andviolenceagainstAfghaniwomenand tend tonormalize theTalibangovernmentbyengagingin diplomaticrelationshipsandmeetingthe leaders. All theseissues mustbe addressed to raise awareness and break thesilenceon oneof the worst humanity crises in the world.AluaKargabayevaisasecond-yearstudentatAUR,majoring inInternationalRelations & Global Politics with a minor in Economics and Peace & Conflict. She’s passionate about international politics, human rights, and humanitarian law, always looking to deepen her understanding of global issues.
This year, she was part of the organizing team for AUR’s traditional Spring Conference, “NavigatingGlobalDis(order),”whereshegainedexperienceincoordinating aconference for 80+ participants and hosting high-level speakers. In the future, she hopes to work with international organizations that protect human rights and promote peace. Alua is particularly interested in advocacy and addressing social inequalities,believingin theimportanceofengaging withcriticalissuestodrivemeaningfulchange.
14:00-15:30: MultidisciplinaryPerspectives Chair:LuciaTralli
VassilissaCarangio,AnAnticolonialandGenderedAnalysisofManagerialPractices in “So-called Australia”
Managementstudiesthatintersectwithmigrationin so-calledAustralia(andothercolonized settings; see Bastien et al., 2020) often overlook land dispossession (Carangio, 2023). Organizational studies frequently detach from the dispossession of Indigenous peoples, as does institutionalized migration scholarship (Indelicato, 2024), which rarely considers how the dissolution of Native societies (Wolfe, 2016) was also perpetuated by non-Indigenous immigrants(Indelicato,2022;Piperoglu,2018) whooccupyadistinctontologicalpositionon uncededland(Moreton-Robinson,2004).Colonialforcesreshapetheworld tosuitsettlers (Tascon, 2004), affecting refugees impacted by global colonial power.White supremacy within Western-centric managerial practices (Alcadipani et al., 2012; Liu, 2020) depends on the possession (and theft) of Indigenous land, reinforcing Australia’s racialized capitalist system. This presentation, based on a forthcoming book, explores how hegemonic whiteness—understood as an imperialist, colonial, race-making Anglicized project—shapes thegendered careers of highly skilled immigrants in a colonized job market. Additionally,rigidgenderedanalysesofmanagerialpracticesofferreductiveexaminationsof Indigenous lives (Bodkin-Andrews & Carlson, 2016) and remain tied to colonial gender binaries.O’Sullivan(2021)highlightshowcolonizationforcibly imposedthesebinarieson Aboriginal lands. While studies on gender in management address immigrant women’s challenges in so-called Australia (Tran et al., 2024) and HRM’s role in intercultural adjustment, in this presentation I argue that HRM itself is rooted in Australia’s colonialfoundation.
HRM practices, embedded in colonial power, regulate access to land, government support, and resources. Although colonial-patriarchal oppression does not entirely preclude career advancement,HRMstrategiesinAustraliaremainshapedbysystemiccolonialstructuresthat have long extracted from and dispossessed Aboriginal society.
VassilissaCarangioholdsaPh.D.inWorkandOrganizationfromSwinburneUniversityof Technology, Australia. She has taught management, business, and liberal arts subjects at various Australian institutions and was a visiting scholar at the University of Warwick, UK. She is also a Black Europe Summer School (BESS) alumna from the International Institute for Research and Education, Netherlands. She earned an MA in Communications (BA/MA) from Sapienza University of Rome, graduatingsummacumlaudewith athesisinpoliticaleconomy.Herresearchfocusesonrace and gender inequalities in management, business, and organizations, with work published inGender, Work & OrganizationandEthnic and Racial Studies. She is currently writing a bookongender,management,andanticolonialisminAustralia’slabormarket,undercontract with Palgrave Macmillan. A short comparison between Australia and Italy will also be offered at the end of her presentation.
JennyPetrucci,“Anon-singlestory”:thepostcolonialnarrativesofIgiabaScegoand Ribka Sibhatu’s
Italian history is embedded in colonialism and followed up through politics that are anchored inpostcolonialhistory. ThispaperwilladdressPostcolonialismasatermthatwantsto lookat the legacy between past and contemporary racism and sexism and aim to investigate what extent such legacy is linked to postcolonial racist imaginaries through the narratives of Somali-Italian Igiaba Scego and Eritrean Ribka Sibhatu. Italy moved only recently from being a country of emigration to a country of immigration. The history of Italian colonialism is in fact a rather obscure and forgotten chapter in Italian history. The colonial narrative though has been redefined by the returned gaze of African immigrants in Italy who havestarted writing about their pastand their encounter with Italy. Thesenewwritersaresomethingnew.MostofthemareItalian mothertongue,werebornin Italy, and are highly educated; their stories speak about an Italian past which had s been hidden or forgotten. This paper will analyze some of their works using Crenshaw’s intersectionality concept as a theoretical framework. Italyhasnotreallydealtwith the"representationof theother"sincetheimagescreatedby Fascist propaganda through schoolbooks, huge maps, advertisements, posters, songs, and films. Scego and Sibhatu not only engage with political and cultural issues such as immigration, citizenship, gender and race in their narratives, but they also unveil and challengeaforgottenmemoryofcolonialismand imperialismwhileprovidinga crucialcounter-narrative.They both contribute to redefine the Italian national identity according to new cultural and linguisticpluralismasanirreversibleprocessoftransformation.Theircharactersarewomen who experienced sexism and racism together and whose bodies move inside transnational spaces, languages, and cultures to tell a different, ‘multiple’ story.
JennyPetrucciisanAssistantProfessorinFirstYearStudiesatTheAmericanUniversityofRome. ShehasaBAinEnglishand Germanfrom theUniversityofBologna,aMAinPostcolonial CulturesfromTheLondonMetropolitanUniversity, andaDoctoratein EducationatKing’s CollegeLondon.Herresearch interestsincludepostcolonialstudies,genderstudies,therole of friendship in college transition as well as the first-year experience of less represented students in higher education (with a focus on gender, race, and inclusivity). Jennyistheheadof thefirst-yearexperienceatAUR andteachesintroductorycoursessuch as theFirst Year Seminar,ENG 101(Writing fundamentals),ENG 102(writing from research) andENG 202(writing from theory).She also teaches a 300- level course in Postcolonial Literature.
ElenaGrillo,Linguisticanalysisofgenderstereotypesinclassicfairytales
In this presentation I take a closer look at representations of the feminine and masculine throughclassicfairytalesandhowtheyhaveinfluencedthe common imaginationbycreating gender stereotypes that still exist today and re-produce ideologies about them. Through the use of linguistic analysis software, I will explore the language used to connote men and women in classic fairy tales (adjectives, actions, particular expressions) and note the differences and the kind of imagery such connotations produce in common feeling.There are now solid studies in linguistics that confirm how language has a deep social dimensionandhowlanguageinfluencesthoughtand perceptionofreality,howitisasocial process, internal to society and conditioned by social elements (Saphir-Worf, De Sassure,Faircloug).
IwillanalyzetwoveryfamousfairytalesbyCharlesPerrault: “Cinderella”and“Pussin Boots.”Perraulthaddeliberatelycreatedfairy talesdirectedatthegirlsandboysofthenoble classesofhistimebypointingoutto them thesocial rolestheywouldplayandthebehaviors they would need to have in order to be socially accepted. A large cohort of writers began to write fairy tales to be read in salons and courts, and these writers exploited not only French folklore but also borrowed from the Italian tradition and especially from Straparola (Le piacevoli notti 1550 and 1553) and Giambattista Basile (Lo cunto de li cunti, 1634-36) and also began to translate oriental fairy tales that had an enormous influence. I will use a semiotic-linguistic reference scheme (England,Descartes,Collier-Meek) to analyze the mentioned fairy tales in depth and to compare adjectives, actions, and expressions that refer to men and women in the stories and reveal the gender stereotypes that are related precisely to the language used.
ElenaGrillohasadegreefromUniversitàdegliStudidiMessinainModernLanguagesand Literatures with a final thesis titled “The mirror of madness. Treatment and perception of female mental illness in nineteenth-century France”. Aftergraduation,thanksto ascholarshipfromtheItalianMinistryof Education,sheworked as an Italian language assistant, in Haute-Savoie, France, where she taught Italian language and culture at the Charles Poncet High School. Sheholdsamaster'sdegreefromUniversitàdegliStudidiPadovain TeachingItalian asa Second Language with a final paper on the use of video in class. ShehastaughtItalianlanguageandculture atTheAmericanUniversityofRomeandJohn CabotUniversity and since2004. AtJCU shealso teaches the courseItalian language and gender focused on advanced Italian language learning from a gender perspective.
FrancescaConti,Gender,secrecyandinnovationinItalianfaith,folkhealingandSegnature
This study examines the intersection of gender, faith, and secrecy in folk healing practices in contemporaryItaly.Twomain casestudiesarepresented:theCancellifamily'smale-centered lineage of sciatic and back pain healing near Foligno and the Segnature tradition in the Bologna region. The Cancelli family's gift, conferred upon male descendants by Saints Peter and Paul, exemplifies a form of faith-based transmission. Women of the Cancelli family could not be initiated because marriage would require them to take on their husbands' family names, breaking the ancestral lineage. In order to practice their faith-based rituals, male members of the Cancelli family had to remain in the small village of Cancelli, continuing to welcome visitors in pain reaffirming the core message of Jesus as loving and helping others inneed.Atpresent,MaurizioCancelli isthelastremainingresidentofCancelliandlikely the last representative of this centuries-long faith-based practice.The Segnature tradition is not confined to a single family. It is widespread across Italy and neighboringcountries(Switzerland,Southof France),whereittakesondifferentnames.This study situates the Bologna region as a focal point where different trends seem to coexist. On one hand, Germana Tartari’s decision to publish and share the sacred words of the Segnature—a practice typically inherited through matrilineal channels and bound by secrecy—challenges long-standing initiation rites and gender norms in folk medicine. By making this knowledge public, Tartari disrupts the traditional frameworks of folk healing, opening pathways for broader participation beyond familial or gendered constraints.
Methodologically,thisstudyemploysethnographicobservationsandbiographicalinterviews. ByjuxtaposingtheCancellifamily'sadherencetocontinuitywithTartari’sboundary-pushing approach, this research highlights how gendered dynamics influence both the preservation and transformation of folk healing traditions in modern Italy.
Francesca Contiholds a PhD in Sociology from Sussex University, an MPhil from Cambridge University, and a BA in History & Social Anthropology from SOAS. She is an academic advisor and Adjuct professor at AUR where she teaches a number of classes: sociology, anthropology, gender in global perspectives, migration and identity and the Research seminar in social sciences. She has published extensively on migration/emigration/integration.Morerecentlyshestartedresearchingtheroleofmeditative and inner state of consciousness in managing chronic illnesses, pain and disabilities. Her current research is on the role of faith, healing and spiritualty among Italian folk healers.
15:45-17:15StagingViolenceagainstWomenandGirlsinItalyandBeyond.Chair:CatherineRamsey-Portolano
LectureandtheatricalreadingsbyLucianaD’Arcangeli, DuncanRossoVecchiarelli, and India Rose.
Contemporary movementsandauthorsinthetheatricalworldhaveshoneaharshlighton gendered violence, giving a voice to the women who have suffered such violence. This lecture by Prof. Luciana d’Arcangeli delves into the representation of violence against women in modern theatre, supplemented by selected readings fromaward-winning plays performed by India Rose and Duncan Rosso Vecchiarelli.
Lucianad’Arcangeliisthe authorofIpersonaggifemminilinelteatrodiDarioFoeFranca Rame(Cesati, 2008).She has also published widely in journals and edited several books and special journal issues on Italian cinema and theatre. In 2021 she publishedAtti di accusa. Testi teatrali e interviste sulla rappresentazione della violenza contro le donneandStaging Violence Against Women and Girlsin 2023 (co-edited with Claire Kennedy and Daniela Cavallaro). Both books are part of the research output of the Australasian Center for Italian StudiesInauguralVisualandPerformanceStudiesResearchGroupcreatedby d’Arcangeliin 2018, which she coordinated until the end of the project in 2022. Cassamarca Senior Lecturer for 13 years, and Head of Italian at Flinders University in Adelaide,Australia,whereshenowholdsfullacademicstatus,LucianataughtItalian theater, cinema, translation and culture. Currently Dr d’Arcangeli is adjunct professor, language consultant, translator and interpreter based in Rome. Among her awards are the Italia nel Mondo prize (2016), gold medal from the Dante Alighieri Society (2017), and the Prize for Italian Literary Translation (2018) from the Melbourne Italian Institute of Culture.
IndiaRoseis apassionateandenthusiastic multi-disciplinarytheatre maker;writer,costume designer and director. She is focused on devising innovative ways of performing and expressing stories. Her work strives to challenge and present new perspectives about the world;raw,gritty,untetheredandintrinsically about humanconnection,she creates dynamic andprovokingcommentariesaboutcurrentandtaboosocialissues.Herloveforperformance theatre reflects an appreciation for candid and outspoken displays of the indomitable human spirit. India has directed a number of productions including her own original scripts Daydreamer (2023 and 2024), Truth; From a Liars Lips (2024) as well as a variety of other creatives work such as Crow’s Nest (2024), a retelling of Hedda Gabbler (2021) and a short play titled Lamb of God (2022).
DuncanRossoVecchiarelliisanactor,musician,playwright,director,andtranslator/editor who has performed in multiple productions at the Adelaide Fringe Festival. His debut piéceSwing For The Fences,a comedic yet thoughtful commentary on human connection and performance art during the COVID pandemic, was instrumental in securing both a First Class Honours and a University Medal from Flinders University, South Australia in 2021. Duncan has moved to Rome where he has completed a Masters in Screenwriting at IULM (2024).Heisnowdedicatinghisartisticenterpriseto documentaryproductioninRomewith GA&A Productions.
The Gender Dialogues in Italy conferencewill focus on examining the multifaceted and interdisciplinary dimensions of Gender Studies, while fostering a rich academic discourse and creative exchanges regarding gender within the Italian context, particularly addressing its intersections with culture and society.
In contemporary society, the lens of Gender Studies can be effectively utilized to investigate some of the most pressing issues within our current social landscape.In order to provide theenriching experience of collegial and multigenerational academic exchange,the conference organizersinvite any members of academia or the general public who have an interest inGenderStudiesto attend this open event.A full schedule of the day’s events will be published here on March 15.
Presentations on the day will be made by AUR faculty & studentson issues related to any aspect of the conference topic.Possible topics may include but are not limited to:
- Historical perspectives on gender in Italy.
- Historical and contemporary narratives of gender in Italian art, music, or performance.
- Gender in Italian literature, comparative analyses, feminist narratives, queer readings.
- The role of language and translation in shaping gendered identities.
- Gender and migration in Italy.
- Representations of gender in Italian media, digital cultures, and the role of social platforms.
- Gender identities, activism, and the sociopolitical landscape in Italy.
A buffet lunch will be provided for conference participants and attendees
For further details and to register your attendance, please complete the form below
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